Props makers and designers in the entertainment and screen and media industries apply the skills and knowledge outlined in this unit. Typically this process takes place after the creation of the overall set design, or it can be an integral part of the design process.

This unit has linkages to other set construction units and design units, and combined assessment and/or training with those units may be appropriate, e.g.:

CUESET11B Develop set construction plans to meet design requirements

CUESET04C Use research, innovation and experimentation to produce props

CUESCE04C Use research, innovation and experimentation to produce scenic art

Visual arts units.

ELEMENT

PERFORMANCE CRITERIA

1. Identify the potential or need for new construction techniques and media

1.1. Analyse design or production elements to determine areas where research and experimentation may be appropriate

1.2. Pro-actively assess the potential for the use of new construction techniques and media to maximise the effectiveness of props

2. Conduct research

2.1. Undertake relevant research to identify the historical, cultural and other factors that might influence construction techniques or media

2.2. Research, adapt and use relevant ideas and approaches from other practitioners with consideration of intellectual property, moral rights and copyright requirements

2.3. Identify appropriate specialists who may be able to contribute to the overall props realisation

2.4. Maintain references in an accessible form to allow for use by other colleagues as required

2.5. Use research material to adapt styles for practical construction and performance needs

3. Experiment with props construction techniques and different media

3.1. Conduct or coordinate trials to establish the best ways in which the desired props effect can be achieved, including experimentation with: materials, colour, texture, construction techniques and painting styles.

3.2. Follow appropriate safety procedures during experimentation in accordance with organisational and legislative requirements

3.3. Assess results of experimentation balancing the need for creative effectiveness and construction and cost practicality

3.4. Consider safety issues for production and performance personnel in the development of new approaches to set construction

3.5. Select, adapt or introduce new materials, tools, equipment or technology for the achievement of different effects

3.6. Liaise with colleagues to provide information on the results of experimentation and to make appropriate decisions on new techniques and media

Required skills

research skills and sources of information to inform research and experimentation on set construction

literacy skills sufficient to undertake research and interpret information and material from a broad range of sources

numeracy skills sufficient to evaluate resource costs

Required knowledge

the expressive qualities of props as they relate to the nature of the work, the style of the production and the qualities of the performance

innovative and experimental props construction techniques for a wide range of props

ways in which design concepts can be translated into creative and workable props solutions

the behaviour of various materials under different types of lighting

ways of adapting props construction methods skills across styles, genres and art forms, including film, television, radio and live performance in dance, music, drama

techniques for testing finished and unfinished materials, such as fabric, leather, vinyl, plastic, foam, latex, found objects, straw, paper, and cardboard

the properties and characteristics of a variety of materials before and after art finishing

sources of raw, part-processed and processed materials and components

costs and costing processes for props construction

organisational and legislative occupational health and safety procedures in relation to props construction

copyright, moral rights and intellectual property issues and legislation as they apply to props

environmental issues associated with tools and materials used in scenic art and potential issues associated with new approaches

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

The following evidence is critical to the judgement of competence in this unit:

in depth knowledge of a wide range of techniques and media that may be used and adapted for prop construction

ability to create innovative props effects through appropriate research and experimentation.

Context of and specific resources for assessment

The assessment context must provide for:

creative collaboration with others in a process to experiment with new techniques to achieve effects for a particular production requirement.

Method of assessment

Assessment may incorporate a range of methods to assess performance and the application of essential underpinning knowledge, and might include:

evaluation of effects developed by the candidate to meet a particular brief

evaluation of ideas and methods developed by the candidate to create a range of different effects and production contexts

oral or written questioning to assess knowledge of materials and techniques

review of portfolios of evidence and third party workplace reports of on-the-job performance by the candidate.

Assessment methods should closely reflect workplace demands and the needs of particular groups (e.g. people with disabilities, and people who may have literacy or numeracy difficulties such as speakers of languages other than English, remote communities and those with interrupted schooling).

Guidance information for assessment

Assessment of this unit requires access to:

set designs, set elements and devices, materials and techniques.

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

The need for research and experimentation on props techniques and media may be related to requirements for:

budgetary limitations

overall creative direction

special effects

Techniques may include:

gluing

metalwork, e.g.: cutting, welding, brazing

moulding

painting

sculpting and other shaping methods

woodworking

Media for props construction may include:

adhesives

fabric

fabrics

fasteners

fibreglass

leather

masonite

metal products, e.g.:

bars

tubes

sheets

moulded or cast metal

mouldable materials

moulded or cast metal

paper products

plaster

plastics, e.g.: moulded sheet

polystyrene

thermoplastic

timber

timber products, e.g.:

plywood

particle board

craftwood

masonite

Unit sector

Visual communication - props

It is strongly recommended that this unit be assessed with or after the following units:

CUFSET301A Assemble and maintain sets

CUESET11B Develop set construction plans to meet design requirements.

This unit contains employability skills.