Application
Music copyists, composers, arrangers, conductors, performers, producers, editors and publishers apply the skills and knowledge described in this unit. Music copyists in particular are responsible for notating and editing music to the standard required by musicians and vocalists during performances. A thorough grounding in the conventions and techniques of music notation is required, along with the ability to liaise on a professional level with performers. This unit builds on the skills covered in:
CUSMLT303A Notate music.
Prerequisites
Not applicable
Elements and Performance Criteria
ELEMENT | PERFORMANCE CRITERIA |
1. Analyse music notation | 1.1 In consultation with appropriate personnel, confirm music style that needs to be analysed and notated 1.2 Analyse examples of notated music in the selected music style 1.3 Confirm purpose, structure and instrumentation of musical pieces 1.4 Identify appropriate musical elements and forms/structures to suit the purpose of the songs or musical pieces 1.5 Anticipate problems that might arise during the process of notating music, and plan accordingly |
2. Develop music notation | 2.1 Write rhythmic, melodic and harmonic structures 2.2 Ensure appropriate use of form and music structures 2.3 Apply the use of dynamics and expression marks 2.4 Notate music within the required stylistic conventions |
3. Present written music for performance | 3.1 Prepare final manuscript in a suitable format for performers 3.2 Provide performers with music for reading purposes 3.3 Seek feedback on notation from performers and adjust as required 3.4 Complete all work within agreed timeframes |
4. Review effectiveness of music writing | 4.1 Seek feedback from appropriate personnel on the process used to analyse and notate music 4.2 Identify personal strengths and weaknesses as a means of improving own work 4.3 Evaluate overall effectiveness of notated music and its use in performance |
Required Skills
Required skills |
communication and teamwork skills sufficient to: read and understand relevant sources of information set down music in a required format work collaboratively with performers and other personnel negotiate changes to notation and final manuscripts in a cooperative fashion initiative and enterprise skills in the context of interpreting music structures and elements to enhance musical outcomes in performance problem-solving skills sufficient to: troubleshoot music notation problems plan work tasks in a logical sequence planning and organisational skills sufficient to: set work goals gather information onmusicalstyles,elementsandforms/structures produce final notated music by agreed deadlines self-management skills sufficient to: work to personal goals seek expert assistance when problems arise learning skills sufficient to notate music accurately technical skills sufficient to: apply knowledge of musical forms in the selected specialisation to written music accurately analyse scales, chord sequences and music systems, rhythms, time signatures, and beat patterns of musical organisation use music notation software applications |
Required knowledge |
well-developed understanding of musicianship issues, including: repertoire relevant to chosen musical specialisation performers' requirements in relation to notation of music musical protocols and customs for notating and editing notation of music relevant to chosen music specialisation song-writing techniques genres and styles, and their musical forms and conventions in written notation interpretation of chords, scales, melodies, forms, textures or other conventions found within music notation options for using computer applications to notate music issues and challenges that typically arise in the context of notating music for performance |
Evidence Required
The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package. | |
Overview of assessment | |
Critical aspects for assessment and evidence required to demonstrate competency in this unit | Evidence of the ability to: notate music accurately adhere to the conventions of music notation within the selected style produce notated music that meets performance requirements work cooperatively with performers. |
Context of and specific resources for assessment | Assessment must ensure: access to a selection of notated music for analysis access to performers access to industry-current software and hardware for setting down music relevant to thecandidate's selectedmusical styles use of culturally appropriate processes, and techniques appropriate to the language and literacy capacity of the candidate and the work being performed. |
Method of assessment | The following assessment methods are appropriate for this unit: direct observation or video recording of the candidate notating music authenticated samples of notated music with candidate's self-evaluation written or oral questioning or interview to test knowledge as listed in the required knowledge section of this unit case studies as a basis for discussion of issues and challenges that arise in the context of notating music for performance. |
Guidance information for assessment | Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example: CUSMCP301A Compose simple songs or musical pieces CUSMCP401A Develop techniques for arranging music CUSMCP402A Develop techniques for composing music CUSMPF410A Perform music from written notation. |
Range Statement
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included. | |
Appropriate personnel may be: | teachers mentors arrangers composers music editors musicians bandleaders music conductors choir leaders. |
Music styles may be: | classical jazz popular music church folk world. |
Musical elements and forms/structures may be: | bar lines repeats signs coda ties rests phrases ornaments popular music forms jazz forms classical forms. |
Rhythmic, melodic and harmonic structures may be: | key signatures harmonic and melodic structures grouping of simple rhythmic structures time signatures, including 2/4, 3/4, 4/4, 5/4, 7/4 3/8, 5/8, 6/8, 7/8, 9/8, 2/2 and 3/2 note pitch note duration accidentals chords, where appropriate. |
Dynamics and expression marks may be: | tempo volume accents phrasing articulation special effects. |
Format may be: | computer-based paper-based. |
Sectors
Performing arts - music literacy
Employability Skills
Not applicable
Licensing Information
No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement.