Application
People still developing their sculptural expertise apply the skills and knowledge in this unit. They produce finished sculpture, building on and combining a range of techniques to support the ideas of the work.
At this level, work is usually undertaken under supervision, though some autonomy and judgement can be expected within established parameters.
Prerequisites
Not applicable.
Elements and Performance Criteria
1. Plan sculptural work through exploration | 1.1 Explore ideas and techniques for sculptural work in consultation with key people as required 1.2 Review historical and contemporary sculpture practice as a potential source of ideas 1.3 Clarify ideas for sculpture based on exploration and discussion 1.4 Assess the capabilities of sculptural techniques through practice and adaptation 1.5 Select techniques that best support the ideas for the work |
2. Prepare, maintain and store sculptural resources | 2.1 Select and organise sculptural tools, equipment and materials suited to the chosen work 2.2 Prepare and maintain resources based on the needs of the work 2.3 Take responsibility for the safe and sustainable use of resources 2.4 Store resources according to the needs of different items |
3. Create finished sculptures | 3.1 Safely use and adapt sculptural techniques to create desired effects 3.2 Review work in progress and make adjustments as required to produce final work 3.3 Add value to the current work process and future work by documenting the work progress 3.4 Liaise with others to obtain feedback on work in terms of its technical proficiency and success in communicating ideas |
Required Skills
Required skills
communication skills to discuss ideas for sculptures with others
learning skills to:
improve techniques to produce sculptures through practice and some experimentation
respond constructively to feedback
literacy skills to interpret information about historical and contemporary sculpture practice
numeracy skills to calculate quantities of materials
planning and organising skills to organise resources required to produce sculptures
self-management skills to take responsibility for the process of creating work.
Required knowledge
ways of exploring techniques and materials to achieve different effects in sculptures
physical properties and capabilities of a range of materials, tools and equipment used in producing sculptures
work space requirements for producing sculptures, including ways of organising and maintaining space
cleaning, maintenance and storage procedures for sculptural tools, materials and equipment
historical and theoretical contexts for producing sculptures
elements and principles of design and their particular application to sculpture work
intellectual property considerations for any person making creative work
sustainability considerations associated with the use of sculptural tools, materials and equipment
OHS procedures that apply to sculptural work.
Evidence Required
The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.
Overview of assessment | |
Critical aspects for assessment and evidence required to demonstrate competency in this unit | Evidence of the ability to: produce multiple pieces of sculpture or a single major work that show some technical proficiency in chosen techniques work with ideas and techniques and bring them together in finished work adapt the capabilities of sculptural techniques and resources. |
Context of and specific resources for assessment | Assessment must ensure access to: tools, equipment and materials used in sculptural work. |
Method of assessment | A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit: evaluation of technical execution of work pieces produced by the candidate direct observation of sculptural work in progress questioning and discussion of the candidate’s intentions and work outcome review of portfolios of evidence review of third-party reports from experienced practitioners. Assessment methods should closely reflect workplace demands (e.g. literacy) and the needs of particular groups (e.g. people with disabilities, and people who may have literacy or numeracy difficulties, such as speakers of languages other than English, remote communities and those with interrupted schooling). |
Guidance information for assessment | Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example: CUVPRP301A Produce creative work. |
Range Statement
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.
Ideas may be influenced by: | current capability with techniques historical and theoretical contexts subject matter or theme for the work, such as: built environment land and place natural world political, cultural and social issues the body spiritual concerns. |
Techniques may include: | assemblage binding carving digital techniques casting modelling mould making slumping welding. |
Sculptural work | abstract assembled contemporary free-standing kinetic relief representational traditional. |
Key people | mentors other artists peers supervisors teachers. |
Strategies used to assess the capabilities of techniques may involve: | experimenting directly with work in progress producing test pieces or samples systematically testing a range of processes. |
Tools and equipment may include: | carving tools chisels clamps and pliers files foundry tools and equipment hammers knives mallets power tools protective clothing saws screw drivers spatulas tin snips tongs wedges wood turning equipment. |
Materials may include: | brackets clay clips drawing materials fibres found objects and materials glues blocks industrial materials latex leather metal and alloys nails natural materials oxidising agents and other patina agents paints plaster rope rubber screws stains stone string thread wax wire wood and wood products. |
Needs of the work may relate to: | availability of different resources budget creative goals preparation time process-specific requirements recycling safety sustainability. |
Sectors
Visual communication – sculpture
Employability Skills
This unit contains employability skills.
Licensing Information
No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement.