The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Identify design requirements
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Customer requirements relating to the artwork are determined Completed |
Evidence:
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Work area is cleaned and prepared to handle artwork in accordance with workplace standards Completed |
Evidence:
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Workplace health and safety requirements, including personal protection needs, are observed throughout the work Completed |
Evidence:
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Workplace quality assurance requirements are recognised and adhered to throughout the work Completed |
Evidence:
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Tools, equipment and materials are selected and checked prior to use to ensure that they are appropriate for the work in terms of quality, serviceability and safety Completed |
Evidence:
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Artwork is handled in accordance with industry recognised handling methods and workplace procedures Completed |
Evidence:
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Artwork is assessed for colour qualities to identify: Completed |
Evidence:
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primary, secondary, tertiary, harmonic and contrasting colours by colour wheel |
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Completed |
Evidence:
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aesthetic/mood evoking nature (warmth, lightness, brightness, etc.)
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Artwork is assessed against the elements and principles of design and their impact on preservation/restoration and framing selection determined Completed |
Evidence:
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Develop frame design
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Customer requirements for framing are identified Completed |
Evidence:
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Historical, sentimental or monetary value of artwork ascertained through examination, research and/or consultation with customer Completed |
Evidence:
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Artwork is assessed to identify any preservation/restoration work required and impact on frame design Completed |
Evidence:
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Compatibility of framing materials with the artwork is determined from manufacturers' and industry information Completed |
Evidence:
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Principles of colour design applied to select mat and framing materials to complement artwork Completed |
Evidence:
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Design package is developed for presentation and discussion with customer Completed |
Evidence:
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